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Wreaths
Symbol of victory, gratitude, welcome

 


Autumn is a wonderful season of transition as we say goodbye to bright warm summer days and prepare for the cool dark days of winter ahead.

autumnprocessDuring the Fall, Mother Nature blesses us with a colorful display of changing leaves, the transformation of flowers to seed and a time to harvest the fruits of our labor. The change in temperature, shorter daylight hours and the return of the Northwest’s rainy storms are all indications that winter is quickly approaching. Birds and animals alike are storing food to prepare for the challenging weather soon to follow autumn’s crisp and clear days.

While you may find it easier to just shop for a door decoration at your favorite store, you might find it’s also great fun to create your own custom, one-of-a-kind wreath for autumn.  Not only is it a wonderful project to help appreciate your garden after peak growing season, but it also reflects your personal style and taste. Then, as the holiday season quickly approaches, transform your custom wreath by following the same basic technique, but substituting different plant material. The range of decorative material you use is limited only by your imagination.


Next time you  stroll through your garden, notice the simple beauty in a fallen leaf, dried seed pod, dead twig or evergreen branch. These are the colors, forms and textures that will make your wreath unique and the envy of family and friends.

EARLY FLORAL DECORATIONS

Abundant Harvest & Sustenance
For centuries, our ancestors in cultures around the world have created rituals and symbols to show gratitude for the abundance of harvest. Before refrigerators and supermarkets, growing and storing as much food as possible during the summer and fall was critical to survival during dormant winter months. Flowers, herbs, fruits, nuts and berries were gathered and bound together to dry and store.

Early forms of wreaths, garlands and swags
From early paintings and sculptures, we learn that wreaths made by the Romans and Greeks were also created to honor or worship a person or place. Laurel wreaths were presented as a symbol of victory. Compositions of roses and other aromatic plants were used as a symbol of good luck or to ward off evil spirits.

Still symbolic: a wreath says “Welcome.”
The practice of designing these decorations has survived over time, even if the symbolism has evolved into different meanings. Wreaths hung on a door or wall still signify friendship and welcome. The customary evergreen wreath hung during Christmastime is known as  a welcome wreath. The wreath’s round shape symbolizes the cycle of life, a never-ending, complete circle.
                              ---Richard Bacon

Here’s an easy-to-make wreath you can transform from Autumn Harvest to a Holiday look
(One wreath - two holidays)

Tools & Supplies you need:
Sharp scissors
Pliers (needle-nose works best for tight spots)
Utility knife
Floral wire (available at craft, hardware or art supply stores)
Floral foam (ie. Oasis)
Wire, foam or grapevine wreath form  or shallow basket (4” deep x 14” diameter basket used in demonstration)
Ribbon, various sizes or colors
Green floral tape or hot glue gun (optional)
Holiday ornaments
Silk or plastic faux flowers (optional)

Suggested plant material:
Sphagnum moss (dried or fresh)
Dried leaves, grasses, or flowers
Seed heads
Pine cones
Twigs or evergreen branches Small fruits or gourds
Small succulent plants
Ivy or vines
Anything that catches  your eye
edenautumn
Autumn Harvest Wreath Directions
1) Attach a small wire loop to the top backside of your wreath for hanging when finished. If the loop is too large or not located correctly at the top, your wreath, once filled with plant material, may not hang properly; test it on a door before proceeding.
2) On the inside bottom edge of your wreath form, glue or wire into place a block of floral foam for supporting the floral arrangement and ribbon. Attach fresh moss around the inside perimeter by folding six inch lengths of wire in half and pinning the wire through the moss and wreath from the inside outward. Twist the ends of wire to secure. When using dried moss, a bead of hot glue around the inside edge will secure the material.
3) Next, add live plant material (we used sedum and spider plant shoots) from your garden, wired around the wreath rim. Note: small succulents with shallow roots work best when placed into moist moss, often taking root and surviving for months in the wreath, while other material wilts or tires.
4) Insert stems of ornamental grass, dried seed heads, ferns or dried flowers into the left and right side of the floral foam. These linear design elements contrast with the overall circular form of the wreath and add balance to the design.wreath

4) To complete the autumn theme, tape, wire or glue colorful leaves in and around your arrangement. (Create pressed leaves by placing them in an old phonebook overnight to draw off the moisture and dry flat) Fresh leaves can be a fun element too, as they dry and curl over time.
5)As a final touch, add a focal point of interest to your wreath. Ribbons, pine cones, or gourds can be secured to the floral foam. They contribute to a feeling of abundance and celebration in a cornucopia of style. Lastly, mount your design on the front door and step back to admire your creative talent.

Directions for Transforming Autumn Wreath to a Holiday Wreath:
1) Remove the autumnal design elements such as the leaves, dried flowers and seed pods that were secured with wire or glue. Keep the wreath structure, moss, floral foam and live plants (if desirable) intact. Rotate the wreath 180 degrees and switch the back hanging wire to the new top backside.
2) Insert evergreen branches into the sides of the floral foam and wire around the outside rim. Blue spruce, yews, arborvitaes and junipers provide a wide variety of color and texture. They have smaller needles and are also easier to work with. Garden gloves can be a big help dealing with this material.
4) Trailing vines or ribbons can be added next into the floral foam. They lead your eye to the focal point of interest and add movement to the overall design. Varying the lengths and sizes of ribbon also contribute to a more pleasing finished arrangement.
4)  Add small ornaments or lights around the circle to give sparkle and life to your design. Remember that these are accent design elements and should not distract from the overall natural appearance of your wreath.
5) Red holly berries, red blossoms from sedum “Autumn Joy” and dried hydrangea flowers are added to create the wreath’s bouquet center to contrast with the greens.
6) As a final accent element, a single white silk poinsettia flower is added to represent the Star of Hope.

RICHARD BACON: his vision is coming to fruition
A decade ago, Richard Bacon began to develop his vision for a creative nature center where people could learn to interact with nature, create art inspired by natural uty and develop a better understanding and winterwreathappreciation for the importance of living in harmony with nature. As a first step, he launched EdenArts – his own product line of nature photography, gifts and greeting cards.

When he learned a few months ago about All Season Nursery, which owners Jim and Nancy Chennault were offering for sale, Bacon felt it would be the perfect location to carry his vision forward.

He moved to Kelso from San Diego this summer and became the official owner and operator of All Season Garden Center in October. As he’s connected with others in the community and spoken at civic groups about his dream, Bacon said he’s been surprised by “how supportive the community has been to my concept of developing a cultural institution.” He’s heard talk about a possible “Renaissance,” or re-birth of interest in the arts some people predict may be about to happen locally.

“I think I’m part of it,” Bacon said.

Immediate plans for All Season Nursery, besides continuing the growing and selling of plants, include expansion of the display gardens, creation of a botanical sanctuary and the adding of sculpture and artist workshops. Later, incorporating the adjacent 12-acre 1866 homestead farm he bought along with All Season Nursery property, Bacon plans to add nature trails, a demonstration farm and a special events facility.

“Not all the changes are going to happen at once,” said Bacon, who is 45 and divorced, “but I’m fully committed to seeing it come to fruition.” He expects the process to unfold and evolve over the next 20 years.

“I’m carrying the largest debt load of my life,” he said.  “But you can move a mountain — one stone at a time.”

Eruption of Mt. St. Helens a Watershed Moment for Timber Industry
by Jim LeMonds

loggers

Twenty-five years ago, the timber industry in Southwest Washington was on the cusp of change. But the eruption of Mount St. Helens brought that change forward in a rush that altered loggers’ lives forever.
Since 1980, some of those who made up the workforce of pre-eruption days have retired. Some have taken other jobs in the industry. Some have returned to school and retrained for new careers. Some have left the area. Time has softened the impact on local families and communities, but the trees and the men will never be replaced.

Before the blast, Weyerhaeuser estimated that it had 10 to 15 years of big timber left to log, most of it at the east end of the St. Helens Tree Farm. Between 1900 and 1903, the company had purchased more than a million acres of old growth between Interstate 5 and the Cascades. After operations got under way during the late 1920s, it had taken half-a-century to begin closing in on the final stands of timber near St. Helens and the Green River drainage. By 1980, the end was in sight.

The trees routinely ran three to six feet in diameter at the butt. Timber fallers packed saws equipped with five-foot bars. Three-log loads didn’t merit a second glance. The equipment matched the size of the timber. The yarders were behemoths, powerful enough to reel in the biggest trees. Mainline was inch-and-three-eights; chokers inch-and-an-eighth.

And there were union jobs that provided middle class wages, medical coverage, vacation pay, and retirement benefits. During the 1960s and 1970s, it wasn’t unusual for Weyerhaeuser to hire 100 loggers and millworkers a year in Cowlitz County. A large group of independent contractors supplemented the union crew.

After the eruption, Weyerhaeuser had a limited time to salvage 850 million board feet of downed timber before it decayed. The company expanded its workforce to handle the job. Six hundred loads a day rolled out of the blast zone.

But once the salvage job was completed in 1982, the air went out of the balloon.
The changes that occurred locally were simply a microcosm of what was happening throughout timber country. With the old growth gone, forests were converted to tree plantations that operated on 35- to 40-year cutting rotations. Smaller timber meant increased mechanization and fewer caulk boots on the ground.

Timber companies were determined to reduce overhead by slashing costs associated with medical coverage, pensions, and vacation pay. And to make matters worse, a 75 percent drop in timber values led to a falloff in production.

1983 – More than 1,000 loggers and millworkers were laid off in Southwest Washington

1985 – In a speech at the Columbia Theatre in Longview, George Weyerhaeuser announced that the company was in dire straits and needed sacrifices from the union in order to stay afloat. Vice President of Operations Don Rush said that 3,100 jobs would be axed if the union resisted the pay cut.

1986 – The International Woodworkers of America (IWA) struck in response to the wage cut proposed by Weyerhaeuser and other timber companies. Although 7,500 loggers and millworkers in Washington and Oregon walked off the job, the timber companies didn’t budge. The IWA eventually agreed to return to work – on the companies’ terms. Even though timber workers accepted a 20 percent wage cut, thousands lost their jobs during the downsizing.

The power of the IWA was gone and would not return.

Before the eruption, there were approximately 200 company timber fallers and 150 truck drivers on the St. Helens Tree Farm. At present, there are 30 to 35 union truckers – gyppos handle the rest of the hauling.

Contract cutters were doing nearly half of the timber falling on the Tree Farm before the eruption. Now, they do all of it. Union timber fallers had their numbers trimmed in the 1980s and ‘90s and were phased out completely several years ago, in part because of an increase in mechanized cutting, but also because of costly Labor & Industries’ insurance premiums that Weyerhaeuser was happy to be rid of.

Old growth had to be bucked into sections in order to be yarded. Today, full-length trees – most no more than 16 to 24 inches in diameter at the butt – can easily be cut and moved to the landing by small, mobile machines. Mainline is an inch in diameter, chokers five-eighths. Mechanized “hot saws” handle well over half of the timber falling, with each machine capable of cutting hundreds of trees a day.

When the anniversary of the eruption of Mount St. Helens arrives each year, people will talk about Harry Truman, lateral blasts, and pyroclastic flows.

I’ll be remembering big trees and the men who went down with them.



 

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